Renting A Karaoke Room In Paris: Is It A Good Plan?

Karaoke is fun, especially when surrounded by your friends and alcohol rules. If you love to sing but have the voice of a raven, then karaoke is for you. All kidding aside, karaoke is a great way to mingle with your friends and have a good time

Paris is a big city that hosts a lot of events every day. With the influx of tourists, it is often difficult to find a karaoke room to enjoy with friends. But luckily, there is a simple way to get a venue. Here is what you need to know to rent a karaoke room in Paris.

What is it?


The original “sing along” technology originated in California, but the first device that allowed people to sing alone was developed and widely popularized in Japan in the 1970s. The original device required you to pay money and then let you hear a recorded version of a song that you could sing into an attached microphone.

It quickly became a form of entertainment and became popular at parties and restaurants throughout Japan, where music and singing were traditional accompaniments to the festivities. The popularity of karaoke quickly spread to Asia and America, and you can find karaoke lounges on both continents.

Karaoke is very popular worldwide, but it is especially popular in the US and Asia. It is a popular pastime where the lyrics of a song are sung, usually along with the recording of the original background music of the song.

It allows people to sing their favorite songs live with their friends and enable you to perform your favorite songs without being interrupted by the original singer. Whether you can sing or not, karaoke is fun that will make you go into raptures, but you’ll have a good time in any case.

Which one to choose?


Paris is a fabulous city that comes alive day and night. Many individuals and professionals rent karaoke rooms for their activities. But before choosing the room adapted to your needs, you should always check if the place has a karaoke restaurant. It sometimes happens that some establishments in Paris do not offer a place to have lunch or dinner in order to regain strength.

The fact is that after an activity, you have to go to a restaurant in the place to refresh yourself. This is why it is essential to choose a karaoke venue that provides its customers with a catering service to accompany their karaoke sessions. Some serious establishments also offer a banqueting service to organize private or professional events.

Not all establishments have a karaoke room that meets your needs. On that note, it is good to consider the space if the number of participants is important. In addition, it is important to choose a comfortable setting that is lively enough. The setting should be airy so that everyone feels at ease.

Karaoke room: how do you choose a less expensive establishment in Paris?


There is a wide range of karaoke rooms in Paris, but they do not all have the same price. To choose a cheap venue, you need to do some research. Indeed, to find the room which corresponds to its needs, it is important to search on the net to select the establishments available in the Parisian city.

Let us recall that the rooms to rent in Paris are numerous and available. After the selection, it will be a question of comparing the rental offers. Then, it will be necessary to choose the room adapted to its expectations. Once done, one will contact the service to fill the formalities of use to guarantee the room karaoke.

In order to find exactly the one you need, it is recommended to decide quickly. We will not wait until the last minute to look for one if not to do with the rooms that remain. Finally, you should not forget the catering side, especially if you are accompanied by a guest.

Karaoke room: can we book?


It is possible to reserve a karaoke room if you need time to organize yourself. To do this, you must go to the room of your choice once on the site. Then, you will have to specify the number of participants for the session. The price will be adjusted according to the number of people who will take part.

After validation, you will choose the 2-hour slot on the session schedule. Once indicated, you will have to pay directly online. The service will send the confirmation of the reservation by e-mail, and everything is done. For any modification, it is important to contact the service one day before to avoid some last-minute situations.

Sound off in the comments section below and tell us what you want to read next and if you want to read more about karaoke.

Origin And History Of Ballet (Part 2)

Origin And History Of Ballet (Part 2)

Many people take up ballet for its physical and mental benefits. However, the amazing art of ballet can be enjoyed even among non-dancers. Such is the beauty of ballet.

But, while many are truly passionate about this hobby, they don’t know much about its origins.

So, why not take a walk down history lane?

Russian Ballet

Russian Ballet

Many of the most popular ballets are the work of dancers and choreographers from Russia. If you were to ask a friend to name his favorite ballets (that is, if you still know people who are fans of ballet), he might say Swan Lake and The Sleeping Beauty or Scheherazade and Petrouchka. These – and many more- came from Marius Petipa and Michel Fokine.

Marius Petipa

Marius Petipa

Wondering who this guy is and why he’s being mentioned here?

Well, born in France, Petipa won his fame as a choreographer in St. Petersburg in 1862 with a three-act spectacle, The Pharaoh’s Daughter. In all of Petipa’s ballets there were special display pieces called variations. These were performed by the leading virtuoso dancers and usually had nothing to do with the story.

Petipa’s ballets were long, had many pantomimes (acting without words) and had complicated stories. But the costumes, settings and music did not always fit the period in which the story took place. Nobody seemed to mind except Michel Fokine.

Michel Fokine 

Michel Fokine 

Fokine was a student at the Imperial School of Ballet when Petipa was director of its company. Unlike many of the students, who were satisfied merely to learn technique, Fokine had a lively, curious mind. He spent hours in museums, read a great deal and painted well.

One day Fokine wrote a letter to the director of the school saying that he would like to make a new kind of ballet. All of the parts would fit the period in which the story was set and the dramatic action would not be interrupted by special variations. He was not allowed to go ahead, but in the meantime he began to make dances for his friends. His smallest dance, The Dying Swan, became his best known. His classmate Anna Pavlova first performed it in 1905 for a charity performance and to this day The Dying Swan is associated with her.

Sergei Diaghilev

Sergei Diaghilev

In St.Petersburg, the home of the Russian Imperial Ballet, a group of young men – authors, painters, musicians – often met in the evenings to talk about their work. They decided to start a magazine called The World of Art and they made Sergei Diaghilev the editor.

Diaghilev was a good organizer and he was eager to show the French what the Russian arts were really like. In 1906 he took an exhibit of Russian paintings to Paris. In 1908 he gave the Parisians a performance of Moussorgsky’s opera Boris Godunov. by 1911, he had put together his own ballet company, which combined Russian dancers, choreographers, scene designers and composers. In the beginning, Michel Fokine was its leading choreographer and some of its best dancers were Anna Pavlova, Mikhail Mordkin, Tamare Karsavina, Vaslav Nijinsky and Adolph Bolm.

Diaghilev was restless. He needed new faces around him and so he encouraged three young men – Vaslav Nijinsky, Leonid Masine and George Balanchine – to make ballets. He chose daring designers like Picasso, Leon Bakst, Alexandre Benois, Matisse, Rouault, Utrillo, Derain, Braque and Laurencin and composers like Igor Stravinsky, Manuel de Falla, Maurice Ravel, Debussy, Auric and Milhaud.

The ballets we know best from the 20 years that the Diaghilev Company toured Europe are Fokine’s Les Sylphides, Scheherazade, The Firebird, Carnaval, Petrouchka and The Spectre of the Rose, Massine’s La Boutique Fantasque, The Rite of Spring and The three-Cornered Hat and Balanchine’s Apollo, The Prodigal Son and Rossignol, in which 12-year-old Alicia Markova danced the nightingale.

Unfortunately, Diaghilev’s company disbanded when he died in 1929. But artists like Massine, Balanchine and Serge Lifar influenced dance in the United States, England and France.





8 Reasons To Take Contemporary Dance Classes

The benefits of contemporary dance to improve well-being are extraordinary. Modern dance classes help improve life, both physically and emotionally and mentally. According to a recent study conducted at the University of Wolverhampton in the UK, people can experience improvements in their mood immediately after taking a contemporary dance class. But the benefits of contemporary dance are not limited to the spirit. Here I share 8 of the main advantages of modern dance that help improve well-being.



Contemporary dance emphasizes the body’s most organic and natural expression, and it works from a space of integration of the body, mind and soul. In modern dance classes, you learn techniques and processes that help you listen to your body, understand how emotions affect your physical state and discover ways to release unnecessary tensions that rob you of a state of well-being.



Contemporary dance classes are excellent for expressing the most authentic emotions and feelings. The essence of this dance genre is found in the personal interpretation of the person who dances, and that expression feeds on feelings and emotions. In contemporary dance classes, you can experience an excellent level of free expression, much more than in other dance genres. This experience helps improve well-being in a variety of ways, from preventing depression to increasing motivation.



Contemporary dance is one of the best dances to raise self-esteem. Emphasize free expression. In modern dance, people have the opportunity to express their own way of dancing, following criteria that they can adapt to their person.



Contemporary dance is one of the best dances to improve your body self-esteem. It does not demand any specific type of body, and it works with any level of physical prowess and welcomes all body types. The techniques studied in contemporary dance help develop a deep understanding of the body, and they help the body be discovered as a unique expression of the soul.



The main principle in most contemporary dance techniques is to dance with a minimum of muscular effort. In modern dance classes, techniques are learned, such as the Release Technique, which helps release muscle tension and enter a state of relaxation. Improvisation is also widely used in contemporary dance. During improvisation, you dance following the organic impulses of the body. This process offers an experience that releases the physical, mental and emotional tensions that cause stress.



Natural and organic respiration is one of the main principles used in contemporary dance. In a modern dance class, you learn to breathe more deeply, release the tensions that obstruct the flow of the breath, and dance in harmony with the breath. This knowledge of the breath can bring significant benefits to well-being and health. Natural, organic breathing has been proven to release stress and benefit brain health.



One of the main benefits of contemporary dance to improve well-being is posture. Almost all types of dance help improve posture. But none offers as deep an understanding of posture and body alignment as contemporary dance. In modern dance, anatomy and somatic movement techniques are studied that help develop knowledge of the body. With these techniques, you can release tensions and heal habits that cause poor posture. The healthiest ways to have proper posture can be discovered when performing any movement, whether in dance or everyday life. A good posture is an essential aspect of health. Good posture helps strengthen muscles and bones, increases flexibility and vitality, and helps prevent injury. Good posture also helps prevent spinal abnormalities, which could later cause serious health problems. It reduces the deterioration of the surface of the joints, thus reducing the risk of arthritis.



Contemporary dance, like all dance types, helps improve fiscal health on many levels. When practiced regularly, it offers all the benefits of exercise, both the aerobic benefits and strength exercises. Contemporary dance classes help strengthen muscles and increase endurance, and they also help increase flexibility and improve coordination and balance.

Origin and History of Ballet

Origin and History of Ballet

A ballet is a theatrical entertainment combining the arts of dancing, stage design and music. It may either tell a story or merely depict an idea or mood.

As you can guess, the techniques of ballet were designed to display the human body in the most elegant and harmonious way possible. Although ballet technique is strict and the training is strenuous, the result on stage is natural and beautiful. It makes all the hard work that goes into learning ballet seem completely worthwhile.

So, let’s take a dive into the history of ballet.

The History of Ballet

The History of Ballet

Even though standing with more than 500 years of history, ballet is very young compared to dance itself. Stemming from Italy – about the time Columbus discovered America – the ballet was quite different then from what it is today.

Back then, the ballet was a court entertainment with which Italian noblemen amused themselves and their guests during lavish balls and banquets. Dancing, music, pantomime, poetry and drama were all combined. The first ballet dancers were the royalty and nobles of the court, since there were no professional dancers. The steps were modeled on the elegant and rather simple court dances of the day and the dancers did not wear the toe slippers worn by present-day ballerinas. However, dancing of this kind was not called ballet until almost 100 years later at the court of King Henry III of France.

Ballet in France

Ballet in France

In 1581, Queen Catherine de Medicis ordered a grand entertainment to celebrate a royal wedding. The result was perhaps the most spectacular ballet ever seen. Thousands of people witnessed the lavish exhibition, a blending of dance, dramatic scenes, music and splendid scenery. Hundreds of dancers, singers and actors took part in portraying the goddess Circe and all of her friends and enemies. Huge machines and stage effects were moved about the room so that the audience, seated on three sides, could see them.

All this was the work of an Italian musician best known by his French name, Balthazar de Beaujoyeulx. He was probably the first choreographer or maker of dances, as we know the word today. He called his work Le Ballet Comique de la Reine (The Queen’s Comic Ballet) and ever since then, performances of this kind have been called ballets.

A surprising fact at that time was that King Louis XIV loved to dance. At the age of 13, he danced in the Ballet de Cassandre and he continued to dance until 1669, when he made his last appearance in Flore. 

All of the ballets in King Louis’ time were elaborate and formal. They usually dealt with gods and goddesses. For a while, only members of the court danced in them, but the King soon got tired of their lack of skill. And so, he brought together professional writers like Moliere, Quinault and Benserade, the composer Jean-Baptiste Lully and the Choreographer Charles Beauchamp. To improve the dancing, he organized a Royal Academy of Dance in 1661. This was the beginning of today’s Paris Opera Ballet School.

This was how by 1681, France had her first prima ballerina, the leading lady in a ballet company. She was Mademoiselle Lafontaine. Ancient paintings show her to be lovely and very dignified in her long gown, her high-heeled slippers and plumed headdress. She danced the leading role that year in Le Triomphe de l’Amour (The Triumph of Love) with music by Lully.

Mademoiselle Lafontaine was one of the first of a series of virtuoso dancers, each of whom brought something new to ballet. For instance, you’ve got Marie Camargo who boldly shortened the ballet costume from ankle length to calk freely. She removed the heels from her slippers so that she could perform intricate steps like the entrechat – a quick crossing of the feet in the air.


Today, we looked at how ballet was introduced in France and next, we might move on to how ballet was brought in countries like England and Russia.